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			 MazorGuide Home > Culture > Humor > About Jewish Humor - III 
			
			Laugh and the 
			World Laughs With You 
			
 
			
			Laughter is an indispensable and a wonder-working catharsis for 
			pain. It diminishes the magnitude of one's trials and tribulations, 
			it elevates man from victim to conqueror, from a weakling to one 
			possessing strength and stature. Sholom Aleichem's characters, 
			though all destitute and impoverished found merriment in the 
			mastering and taming of fear. One of his most famous and celebrated 
			personalities is "Motl, son of Peysi the cantor." Motl's family was 
			forced due to "financial" difficulties to sell their humble abode 
			and all its contents. When Motl's sick, dying father hears his 
			wife’s cries, he calls out from the next room, wanting to know what 
			the commotion was about. "'Nothing' mother answers, wiping her red 
			eyes, and the way her lower lip and her whole face quiver you'd have 
			to be made of stone not to burst out laughing." 
			Sholom Aleichem, like others, was 
			distressed and terribly shaken by the pogroms afflicted on his 
			brethren in czarist Russia. He expresses the terror and dread in a 
			humorous manner with Motl as his mouthpiece. Motl says, "At first 
			when I heard people talking about 'a pogrom' I was all ears. Now 
			when I hear the word 'pogrom,' I run! I prefer happy stories." 
			"Better to laugh than to cry," says an 
			old Yiddish proverb, and another famous quotation circulating in the 
			Jewish community concurs: "Tears cleanse the heart, but laughter 
			makes it lighter." 
			In the United States, where the majority 
			of the world's Jewry resides, the trend continues. Approximately 70 
			percent of the America's working comedians are Jewish, while Jews 
			account for less than 2.5 percent of the country's total population. 
			The explanations given above as to the reasons for this occurrence, 
			and for the function of Jewish humor in every day Jewish life are 
			not entirely relevant. Though anti-Semitism exists, oppression does 
			not. A Jew is no more in danger walking down a New York street than 
			anyone else. What then is the major drive that nourishes this 
			phenomenon? A story is told of an old woman who approached a blonde, 
			blue-eyed man. 
					"Excuse me, Mister," she began 
					tentatively, "but you're a Jewish boy?" 
					He regarded her disdainfully for 
					a moment and then replied,"No, madam, I am not." Still 
					uncertain she repeated her question. 
					Irritated, he answered icily, "I 
					told you, I am not a Jew!" 
					But she was a persistent soul 
					and she put the question to him for the third time: "You're 
					sure you're not Jewish?" 
					The old lady's determination 
					finally broke down his defenses. "Yes," he confessed, "I'm 
					Jewish." 
			                    To which she 
			replied, "That's funny, you don't look Jewish." 
			The tradition of Jewish humor gains 
			force by the fact that the American Jew cannot escape his 
			birthright, hard as he may try. With his Jewish identity a constant 
			companion, he invariably feels an outsider - different. In addition, 
			there is a reflection he sees of himself when he observes the 
			society around him, according to Sig Altman. Mr. Altman, in his 
			research of the phenomenon of the Jew's comic image, asserts that 
			"on the basis of the popular culture survey . . . it can be 
			confirmed that the media indeed not only conveys a comic picture of 
			the Jew, as expected, but that there exists a Jewish Comic Image, in 
			the sense that the Jewish image is more comic than that of any other 
			group." 
			Regardless, the aspiration for total 
			acceptance and assimilation persists. And to gain this coveted 
			acceptance Jews resort to the well-practiced routine of 
			self-ridicule and self-criticism. Self-degradation is still 
			prominent in Jewish comedians’ monologues and presentations, though 
			displayed somewhat differently. While in the past most Jewish jokes 
			were directed by Jews at other Jews and focused on the intricacies 
			and complexities of Jewish life, nowadays America’s Jewish comedians 
			share their comical observations with the gentile world. 
			Consequently the focus has changed. What constitutes a Jewish joke 
			in contemporary culture is the ridiculing of what is seen as Jewish 
			weaknesses and characteristic vices. Humorous barbs are aimed at the 
			"traits" of the "Jewish American princess," the Jewish mother, the 
			cheapskate, the miser, the studious nerd, and of course, Jewish 
			Hutzpah. Though some see it as camouflaged anti-Semitism, American 
			Jewish "Badchans" presume that people sharing laughter cannot 
			possibly be laden with hate and prejudices. The comedians hope, and 
			maybe even believe, that by inviting outsiders into their world, by 
			broadcasting the fact that human nature is universal, and by 
			championing the fact that Jewish or not, we're all similarly 
			"endowed" with virtues and faults, they will procure society's 
			approval and attain the ultimate goal. 
			"Laugh, and the world laughs with you?" 
			Maybe. In any event the Jew will continue to rely on humor to see 
			him through rough times. And, as age-old prejudices against Jews 
			persist with remarkable tenacity, so will this mistreated and 
			tormented nation persevere in its quest for survival. They also will 
			continue to laugh. And while Saddam Hussein and his disciples in 
			Iraq, Le Penn and his followers in France, the members of Pamyatt in 
			Russia, and America's Ku Klux Klan associations conspire to 
			eliminate these beleaguered people, the Jew will tremble--but tell 
			he will his fellow brothers the following anecdote with a knowing 
			smile. 
					An Englishman, a Frenchman, an 
					American and a Jew are in the midst of a philosophic 
					discussion. The problem is posed how each would act when it 
					became unmistakably clear that they had only a few hours to 
					live. They hypothesize the situation in which a flood 
					inundates the land, there is no means of escape and they are 
					awaiting the inevitable end. The Englishman speaks first: 
					"I would open my last bottle of 
					port. Sit and enjoy every sip. Think of the life I've lived, 
					the experiences I've had and let the waters come and take 
					me." 
					The Frenchman says, "I would 
					drink a great Bordeaux, prepare a coq au vin, 
					The American is next: He would 
					eat, drink, make love, try to improvise a raft and finally 
					swim until his strength gave out, and he drowned, "fighting 
					to the end." 
					The Jew says: "I would do all 
					you have described and when the water got over my head, I 
					guess I would have to learn how to live underwater." 
			
 
			
      
			Read more about Jewish Humor and get 
		tickled by clicking below.  
			
											RECOMMENDED READING
									 
										• 
										
										
										The HAUNTED SMILE:  The Story of 
										Jewish Comedians in America  
 
			
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